Head studies
Friday, 7 June 2019 05:51 pmThis is something I don’t ever do—character head studies from different angles—so I collected some photo refs to use with various characters and gave it a go. To be honest, I did not love the process, but it’s a good exercise. :/

I used photo references, but this photo set didn’t have enough variety in angles, so I did another head study more like the one for Iusta.



My people don’t smile.
They hardly ever smile, that is. Not big toothy grins.
Because of a childhood accident (think Raina Telgemeier’s Smile comic, only more dramatic and traumatic), I quite literally can’t smile one of those big, wide, all-teeth end-to-end grins people are supposed to use to show they’re friendly and good and worth interaction. I’m not used to seeing it in a mirror, and not used to drawing it. My crop of Romans just don’t think grinning fits in with proper gravitas. Although, from time to time, Felix has given a snarky grin. Sure, there are grinning satyrs capering about, but, really, think about it: How often have you seen a bust of a Caesar or Alexander the Great with a grin?


I used photo references, but this photo set didn’t have enough variety in angles, so I did another head study more like the one for Iusta.



My people don’t smile.
They hardly ever smile, that is. Not big toothy grins.
Because of a childhood accident (think Raina Telgemeier’s Smile comic, only more dramatic and traumatic), I quite literally can’t smile one of those big, wide, all-teeth end-to-end grins people are supposed to use to show they’re friendly and good and worth interaction. I’m not used to seeing it in a mirror, and not used to drawing it. My crop of Romans just don’t think grinning fits in with proper gravitas. Although, from time to time, Felix has given a snarky grin. Sure, there are grinning satyrs capering about, but, really, think about it: How often have you seen a bust of a Caesar or Alexander the Great with a grin?

Chapter V: LXXXXIIII
Tuesday, 17 October 2017 05:48 pmBack again, after the break for getting the printed book sorted out.
For the month of October, I've decided to try drawing the comic digitally, since I planned to be on the road a lot this month (and sort of on the road, at NY Comic Con). There may be a bit of a learning curve, and some panels may end up being tweaked (by which I mean, "obsessively fussed with") after posting. So far, though, the learning curve isn't as severe as the last time I tried drawing the comic digitally. I think that's because of an improvement in the tech, not me.
( click to see the comic )
I find that drawing digitally makes my line a lot looser--not necessarily evident in this comic, since I forced the line into line--so we'll see how that develops.
For the month of October, I've decided to try drawing the comic digitally, since I planned to be on the road a lot this month (and sort of on the road, at NY Comic Con). There may be a bit of a learning curve, and some panels may end up being tweaked (by which I mean, "obsessively fussed with") after posting. So far, though, the learning curve isn't as severe as the last time I tried drawing the comic digitally. I think that's because of an improvement in the tech, not me.
( click to see the comic )
I find that drawing digitally makes my line a lot looser--not necessarily evident in this comic, since I forced the line into line--so we'll see how that develops.
Testing new tech
Saturday, 9 September 2017 10:28 amI've heard wild and wonderful things about drawing comics on the new iPad Pro with the Apple Pencil (and an app called ProCreate--yikes). Maybe someday some new tech can join the art-supplies arsenal.

This test drawing is of a mishmash because I used about six different digital brushes/pens/pencils all on top of one another. I can see doing pencils and inking for the comic digitally, but I'll always be devoted to working with my actual ancient palette and its assorted exciting poisonous pigments.
In other news, any of you who supported the Kickstarter should have gotten both a backer survey and a download link by now; please let me know if you haven't received both.

This test drawing is of a mishmash because I used about six different digital brushes/pens/pencils all on top of one another. I can see doing pencils and inking for the comic digitally, but I'll always be devoted to working with my actual ancient palette and its assorted exciting poisonous pigments.
In other news, any of you who supported the Kickstarter should have gotten both a backer survey and a download link by now; please let me know if you haven't received both.